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April 13, 2007

Snoop Dogg       *Two folks whom many consider among the root causes of the word “ho” being somewhat tolerated in popular culture – until last Wednesday – have come forward to explain how the term’s use by Don Imus is different than its use in hip hop.

      Fresh from his plea of no contest to gun charges, Snoop Dogg has added his two cents to the Imus debate, stating that the broadcasting legend should indeed have his job yanked for calling the Rutgers University basketball team “nappy headed hoes.”

      The rapper has referred to women as “b**ches” and “hoes” in his music since his first album, “Doggystyle,” in 1993. But the Long Beach MC says there’s a difference between the sexist terms used in hip hop and the way Imus said it last Wednesday during his broadcast.

      "It's a completely different scenario. (Rappers) are not talking about no collegiate basketball girls who have made it to the next level in education and sports,” said Snoop, according to the Web site Female First. "We're talking about hoes that's in the 'hood that ain't doing s**t, that's trying to get a n**ga for his money. These are two separate things.”

      "First of all, we ain't no old-ass white men that sit up on MSNBC going hard on black girls,” he continued. "We are rappers that have these songs coming from our minds and our souls that are relevant to what we feel. I will not let them muthaf**kas say we are in the same league as him. Kick him off the air forever."

      Meanwhile, BET has been accused of perpetuating the use of “ho” by airing rap videos that contain lyrics and images that are brutally misogynistic. The network’s founder, Robert Johnson, was a guest on MSNBC Thursday in the space that had been occupied by “Imus in the Morning” just 24 hours earlier - before the cable channel canceled the radio simulcast late Wednesday.

      David Gregory asked Johnson via phone: “You are the founder of Black Entertainment Television, which over the years, has been a platform for hip hop artists and videos – particularly late at night, which are graphic, which feature this kind of language – the word ho, the b-word, the n-word – that sexualize women, black women, white women. You provided that platform. Do you think there’s something different about that in this case?

      Johnson responded: “I absolutely do. As I said David, when you look at artistic expression, you look at creative freedom, it’s coming from artists who are expressing their particular content. …And for the record, I think if you call anybody in the record industry, they will tell you that as the founder of BET and the person responsible for putting on music videos, I absolutely encouraged every artist and every record label to tone down the sexuality, tone down the misogynistic lyrics, to provide content that was appealing to everybody. But as I said earlier, in this kind of debate, if it’s going to have any traction in all, we’ve got to recognize artistic freedom. We’ve got to recognize creative expression. …I make a clear distinction between a comedian saying something in a comedy platform, an artist saying something in an artistic platform, versus a political commentator talking to the power elite of this nation and feeling because he engages with the power elite, he can say things against a disadvantaged class with impunity.”