*The Hip Hop Hall of Fame Awards has announced its class of 2012 inductees, which includes legendary DJ’s, artists, groups, producers, dance crews, graffiti artists and films that define hip hop music and cultural history predating 1985.
The class of 2012 includes Afrika Bambaataa & the Soul Sonic Force, Grandmaster Flash & The Furious Five, Sugar Hill Gang, Mercedes Ladies, Chief Rocker BusyBee, Funky 4+1, Kurtis Blow, The Sequence, Treacherous Three, Fearless Four and Whodini.
The films “Wild Style” and “Graffiti: Style Wars Documentary” were also chosen, as were dance crews The Nig*a Twins and RockSteady Crew; and DJs DJ Hollywood, Lovebug Starski, DJ AJ, Mr. Magic and Grandwizard Theodore.
The Hip Hop Hall of Fame Awards Induction Ceremony and Concert will take place in November in NYC. It will feature a week of special events and community outreach activities, including unveiling the Hip Hop Hall of Fame Museum, proposed Exhibits & Attractions, Historical Tours, the All-Star Concert Series, a Hip Hop History Panel discussion on C-SPAN, VIP Mixer, Red Carpet Event, and Pre Event and Post Event Party celebrations.
*Black Entertainment Television will air an hour-long documentary about the slow, steady decline of female rappers signed to major American record labels.
“My Mic Sounds Nice: A Truth About Women in Hip-Hop,” premiering Aug. 30 from filmmaker Ava DuVernay, traces the history of women MCs from The Sequence’s 1979 hit “Funk You Up” to Nicki Minaj, one of the few breakout successes of the 2000s and arguably the most visible woman in rap today, reports Reuters. [Watch trailer below.]
Along the way, the film explores several reasons why the decline has occurred. One theory is that the emergence of sexually provocative women like Foxy Brown and Lil’ Kim in the late 1990s brought pressure on other female MCs to follow suit — something that did not always mesh with the tough, streetwise images those other rappers had already cultivated.
“You look at people like Da Brat and how their images changed and you really see the conundrum these women were in, now that this sexual thing took precedent,” the DuVernay, told Reuters.
The 1980′s and 1990s were brimming with female emcees such as Queen Latifah, Salt-n-Pepa, Foxy Brown, Lil’ Kim and Missy Elliot. But in recent years few acts have broken into the big time. The decline has been so pronounced that in 2005, the Grammys eliminated the best female rap categories from their annual music industry awards.
Another explanation was offered by Sylvia Rhone, president of Universal Motown Records, who signed Missy Elliot. She said women rappers have failed to adapt to changing tastes in hip hop, which has seen the recent rise of singers who blend genres and whose images do not conform to hip hop stereotypes.
“Our fresh voices are B.o.B., Kid Cudi and Drake. Where are the female artists influenced by that? Where’s that left-of-center person,” Rhone said.
Others in the documentary note that with just a handful of female rappers reaching superstardom, labels see signing women as less financially lucrative than men. Nikki D, the first female rapper signed to Def Jam, says she has heard record executives say directly that they would not sign female rappers “because they don’t sell.”
Ironically, the debate comes as Minaj’s “Your Love,” tops Billboard’s rap chart. But Minaj is an exception, experts say.
It has been seven years since a woman held the No. 1 spot on a rap chart — Lil Kim’s 2003 hit “Magic Stick” featuring 50 Cent. Missy Elliot’s 2002 single “Work It” was the last song by a woman with no featured guest to hold that position.
Duvernay said she jumped at the chance to make the documentary because she was a rapper signed to a major label development deal in the early 1990s.
“I was very passionate about this and very protective of the story because in a lot of ways it was mine,” she said.